I have a love hate relationship
with Mumbai or to put it simply I am not a Mumbai person. I would never want to live there and visiting Mumbai has always been a necessity. Big cities scare me and Mumbai
always leaves me feeling insecure that I will be lost or trampled over. I have
been to Mumbai many times before but only stick to the posh areas where everything is fancy
and comfortable.
However, recently I had to visit
Mumbai for work with some of my colleagues. We were driving from Pune and as we
entered Mumbai, we happened to pass through the bustling streets of Dongri. The
streets were crowded and our car was moving at snail speed, I felt I have seen
these streets somewhere but obviously I have never been here. My colleague then
said, “This is Dongri, Dawood
Ibrahim used to live here and this has been like a mafia hub.” That is when I recalled where I have seen
similar streets, Bollywood movies of course, it is represented as a
primarily Muslim inhabitant area where all the crimes are taking place. No
wonder we claim our perceptions are based on what movies show us, but being on
those street I actually felt I was in one of those movies. The next thought
which came was that the street could have looked normal like the old streets in
my hometown Bhopal, given there wasn’t the mafia, crime and Dawood Ibrahim
angle to it. Honestly, I felt strange and adding to it were the stories my
colleague was telling that how all the crimes/terrorist activities take place
here in this area. Not sure how much truth that holds but definitely there was
moment when I raised the side window glasses and checked if the door was
locked.
We moved a little further and
there was the red light district, how did I find out? well it was just 12 in
the afternoon and the women were standing outside their shabby houses all
dressed up and waiting. I felt a stench and again thought that I have been
here. Of course in movies I have seen such set up but it was for real that I
was there and I have seen these faces in the pages of Saadat Hasan Manto’s stories. His
pages have come alive and I was walking through them, in every woman that I saw was
Manto’s description of a Mumbai prostitute. The street was just like as he described,
the women, their clothes, their lipstick and the men who stood around them, all
appeared like a movie based on his stories. A colleague exclaimed, “We can’t
even imagine what they go through every day.” I again thought about Manto, who
never sympathized or pitied them through his work, he was not even trying to
create empathy, he just wrote about them, he wrote what was real and as naked
as it could be. He wrote in the Bombay of 1930’s and things were just the same
in Mumbai 2014. I realized passing through the street that it was all for real
and Manto was not writing stories. He was not obscene while the world was just like that itself. That moment I did not feel sympathy either
(like my colleague) I could only think if this phenomenon exists why it cannot
look as glorified as it does in Amsterdam or Berlin. The answer is complicated
and the easiest one might just be that this is India, where sex is a taboo and
these women are of ill repute. We passed through that street and my mind
cluttered with all these thoughts was again cleared, I was relieved. No matter
what I say it was simply unpleasant to be there, and chucking my feminist and
progressive thoughts even I started feeling sympathetic and that it must be
hard for them to do what they are doing, I simply can’t think of it.
I realized I am too like every
other woman, who is just too protective of her own body. I thought of something
unrelated or maybe not. I remembered when ‘he’ held my hand; I could not look
up in his eyes. It was dark and my eyes were still on the floor staring at my
dress which lay there. He stroked my hair and I stood blank wrapped in my bed
sheet, not sure if I should say something and then he said, “You are so shy.” I couldn't
answer and there was nothing to answer. I went downstairs to see him off, my
face was demurred and again I couldn’t look him in to the eye. He left. As I was going
upstairs wondering what just happened and what was said and that very moment Manto
just screamed in my head (what he once said for Ismat Chugtai), “Kambakhat, yeh
to bilkul aurat nikli,” (Damn! She turned out to be such a woman).

1 comment:
interesting read.the connections and exactly how one's mind wanders from thought to thought through the stimulus of the environment they are in
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